Saturday, July 7, 2012
July 4, 2012 - Welcome, summer!
The first truly summer sunset is greeted by a girl on Whidbey Island's Maxwelton Beach. In Seattle, summer weather doesn't typically begin until after the 4th of July. This year's Independence Day felt like summer....finally!
Photo by Anonymous. (What you take on my camera becomes mine!)
Sunday, June 24, 2012
June 24, 2012 - Last Light at the Light
An early summer sunset at the Mukilteo Lighthouse brings out a couple and their dog to take in the view.
The ferry Cathlamet leaves the Mukilteo ferry dock headed towards the sunset reflected in the window of the light keeper's house.
A recent addition to the roundabout outside the Mukilteo lighthouse is a large steel cube featuring area marine life, such as the Dungeness Crab featured on this side, done in a style reminiscent of Native American art in the Pacific Northwest.
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June 9, 2012 - Behind the Tiara
The view from behind the birthday tiara of 8 year old Sophie. Gifts, balloons, chocolate cake, giggles, laughter, friends, and a special tiara, all to celebrate the special occasion of your birth. Happy birthday, Sophie!
Saturday, May 26, 2012
May 25, 2012 - Design Intent
A family pauses at a bench above the water and the representation of a boat launch and below a stone lantern at the Japanese Garden in Seattle's Washington Park Arboretum. The stone lantern, a fixture in any Japanese Garden, began finding their way into the gardens in the 16th century. Originally, they had been used to line the paths at Buddhist temples. The lanterns had five primary components that aligned with Buddhist cosmology - chi (earth), sui (water), ka (fire), fu (air) and ku (spirit or void). Here coins lay in the opening where the flame (ka) would be lit.
The Japanese Garden was designed by Kiyoshi Inoshita and Juki Iida and overseen by Tatsuo Moriwaki of Tokyo Metro Parks. It is a stroll-through garden of the formal type that one would find in Japan in the late 16th and early 17th century. Incorporated into the 3 1/2 acre garden are some 580 granite rocks and boulders from Snoqualmie Pass hand selected by Juki Iida.
Kiyoshi Inoshita describes his design intent :
"The
flow of water, which originated at the high mountain ranges, transforms itself
as it
continues its way through the landscape; first it turns into a waterfall, then
into a stream,
washing the bank by a tea hut, and finally becomes a lake. At the lakeshore are a
variety of features such as a rock promontory, an inlet, and steep slopes, through
which water continues its way, until it reaches a village (an image of the village
symbolically represented by a cherry grove, iris paddies, and a moon viewing hill).
At the village, there appears an island connected to the shore by two different bridges.
At the end of the lake is a stone paved boat launch, which symbolically represent
a fishing village. There, the water disappears from one’s sight, leaving the expectation
that it will be joining the greater ocean."
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