Sunday, February 19, 2012

February 19, 2012 - Young Patron





























A young patron of the arts views an 1815 oil on canvas, "Madame H and Her Children" by Louis Andre Gabriel Bouchet at the Seattle Art Museum.  The provenance, or history of ownership, for this piece has some gaps that qualifies it, along with thousands and thousands of other pieces around the world, to be under Holocaust Provenance.  Artwork confiscated by the Nazis in the 1930s and 1940s have sometimes, unknown by the museums, found there way in front of the public.  Provenance research ensures that pieces seized by the Nazis are returned to their rightful heirs.  Artwork present in Europe during the Nazi era, or with unclear dates, or gaps, of transfers between owners are listed under the Holocaust Provenance.

February 19, 2012 - Some/One










































Do Huh Suh's sculpture "Some/One", is an immense, intimidating suit of armor, some 8 feet high that dominates the Ebsworth Gallery of the Seattle Art Museum.  The imposing "hard, insensitive character of armor", is made up of 40,000 replicated, fictional dog tags representing the delicate individual nature of the lives of fallen warriors.  























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February 19, 2012 - Coffee Time



























The iconic image of the Pike Place Market clock as viewed from the an iconic Seattle location - a Starbucks.



February 19, 2012 - Spring on a Stem






































The weather wasn't the only brisk thing this holiday weekend, so was the business of selling fresh splashes of spring at a dollar per stem!

February 18, 2012 - Dead of Winter





























While signs of spring are starting to show in the Puget Sound - trees budding, tulips breaking through the mulch - this backyard gnome and surrounding pots and planters that were home to last year's summer splashes of color appear stuck in the dead of winter, especially at night.


Sunday, February 5, 2012

February 4, 2012 - Under Overpass




The offramps and approaches to the floating portion of the Governor Albert D. Rosellini - Evergreen Bridge as viewed near Foster Island on the western shores of Lake Washington.  The tranquility at this level, and at this time of night, belies the 115,000 vehicles that utilize this bridge each day.  At nearly 7,500 feet, the Evergreen Point Floating Bridge, opened in 1963, is the longest floating bridge in the world.  It carries Washington's State Route 520 across Lake Washington where the water in some places is over 200 feet deep.

February 4, 2012 - Moving Time







































































In a day when even watches are almost obsolete, the 14 foot, 4 ton Carroll's clock standing outside of Seattle's MOHAI, Museum of History and Industry, seems especially archaic.  The mechanical clock has to be wound once a week.  It was originally installed in downtown Seattle in at 4th Avenue and Pike Street in 1915 at Carroll's Jewelers.  Built by Joseph Mayer, the clock was donated to and later installed at MOHAI in 2008 after Carroll's Jewelers went out of business.

Joseph Mayer and his brother are believed to have made their initial fortunes in the Alaska gold rush days at the end of the 19th century.  They started a jewelry business in 1897, with Joseph forming a separate company in 1922 that focused solely on street clocks.  At one time his clocks graced the streets of dozens of cities up and down the west coast, many have disappeared, although at least 9 have been designated historical landmarks.  The original inner workings of the clock were manufactured by the E. Howard Company of Boston.  The ornate cast iron pedestal and body of the clock were cast at the Pacific Car and Foundry Company, now PACCAR, in Renton, Washington.

MOHAI opened its doors February 15, 1952 in the Montlake neighborhood of Seattle.  It is the largest private heritage museum in the state who "collects, preserves and presents the rich history of the Pacific Northwest."  The opening of State Route 520 and its floating bridge across Lake Washington in 1963 forced the museum to alter its entrance.  The museum is being forced to move again due to the widening of SR 520.  The clock will be moving again, this time closer to its original installation site.  MOHAI's new location on the shores of Lake Union north of Seattle's downtown into the renovated Seattle Armory will be ready at the end of 2112.

Another iconic image of Seattle presented at MOHAI includes the giant neon Rainier Beer sign that used to grace the top of its brewery adjacent Interstate 5, just south of downtown Seattle.